Generation
Chest creases slowly crossing over, pull
of the gentle breast first in her big sister this
mobile, shifting flesh skin that can be moved
on, a pictogram trail silver in the sun, wants
tracing or is it drawing? “no, both” says someone
to their mobile as the girl-crowd gets on taking
texting the aisle it’s Friday night – come on, come on
broad back neck of the male flushes, looking at that
skin, look at that bare legs in October, wait
ing on the corner for Kim, hair flaring up with
each passing car electric she won’t give them
the satisfaction, her thick-veined thin hands
folding tight to her bag
Suspension, Scotland
trees lent a over
dwelling turn
through night darker
row row row
frame facing frame
no dream
quality in green
ovals
spindle poplars
d/raining late winter dusk
dreich as it goes
landing hotel hall
humming creak, a crease
call, city bird
no mourning
Outside Orangery
pond through
what do you have
steps on
to do
what’s next
branches or
got to see
reeds
got to see
moorhen head politics behind
pushing each the door
stroke forward oh
and round there she is
leaf crust
valentine
layer under do you
frost
matter
bullfinch white
laughing will
streak catches they know
cold sunlight
how to do it
right
ice like scum are there buds yet
Ekleksographia #1
January 2009
Poems
Harriet Tarlo
Harriet Tarlo is a poet and academic whose publications include Love/Land (REM Press, 2003), Poems 1990–2003 (Shearsman Books, 2004) and Nab (Etruscan Books, 2005), as well as anthologies, journals and magazines. She also writes academic essays on modernist and contemporary poetry with particular attention to gender and “radical landscape poetry”, recently editing a How2 special feature on “Women and Eco-Poetics”. She is a Senior Lecturer in Creative Writing at Sheffield Hallam University, U.K..